Much of the inspiration for The Vanishing of Ruth came from the overland trip I made from the UK to Kathmandu in 1976. I kept a diary, and wrote letters home, using aerogramme stationery. You wrote on the special, lightweight paper, which you then folded up to make the envelope – like this one I sent from Kabul in Afghanistan:
As you can see, I had a LOT to tell the folks back home!
When I came to write The Vanishing of Ruth, I had plenty of source material, but still needed to do the things that every author has to settle down to sooner or later – mapping out the overall plot and characters, in this case with a mind map:
I also needed to fill in a whole bunch of gaps – I’d travelled just one route through Afghanistan and Pakistan, and for certain key events in the book a LOT more detail was needed. I spent many hours hidden away in Newcastle’s Lit. & Phil. Society library, poring over Stamford’s Compendium to get the details right on Balochistan (it’s the south west corner of Pakistan, where some critical twists in the plot take place):
I’m not entirely sure that my handwriting’s improved over the years!




